A Native Earth Production in association with Buddies in Bad Times Theatre. Written by Marie Clements and directed by Yvette Nolan, this production features a large ensemble cast including Deborah Alison, Valerie Buhagiar, J. Patricia Collins, Gloria May Eshkibok, Michelle Latimer, Jarrod MacLeod, Gail Maurice, Muriel Miguel, Sarah Podemski, Gene Pyrz, Lisa C. Ranvesbergen, Lena Recollet, and Michaela Washburn. It brings to life stories of Indigenous women, exploring themes of truth, resilience, and remembrance.
A Native Earth Production written by Alanis King and directed by Paul Thompson. The production features Jani Lauzon, Lorne Cardinal, Sean Dixon, Gloria May Eshkibok, and Sarah Podemski, bringing together a diverse cast in a performance that blends storytelling, artistry, and theatrical expression.
A Native Earth presentation in association with Factory Theatre, written and performed by The Turtle Gals Ensemble and directed by Muriel Miguel. Featuring Jani Lauzon, Monique Mojica, and Michelle St. John, the production blends performance and storytelling in a collaborative ensemble piece.
A Native Earth Production written by Darrell Dennis and directed by Diane Roberts. Featuring Ryan Black, Billy Merasty, and Michelle St. John, the play explores themes through the lens of the Trickster figure in a modern urban setting.
A Crow’s Theatre and Native Earth Co-Presentation written by Jim Millan and Daniel David Moses, directed by Jim Millan. The production featured Lorne Cardinal, Adrian Hough, Billy Merasty, Monique Mojica, and Jennifer Podemski, bringing to life a powerful collaboration between two theatre companies.
A Native Earth Production written by Patti Flather and Leonard Linklater, directed by Vinetta Strombergs, and featuring Columpa C. Bobb, Lorne Cardinal, Gilbert Clements, Carol Greyeyes, and Kevin Pelletier. The production was nominated for the 1997 Dora Mavor Moore Award in several categories, including Outstanding Production, New Play, Direction, Lighting Design, Set Design, and both Female and Male Performance.
A powerful theatrical work from A He Ara Hou Maori Theatre Production in Auckland, New Zealand, WAITAPU is written by acclaimed playwright Briar Grace-Smith and directed by Nancy Brunning. The production brings together a talented ensemble—Tina Cook, Himiona Grace, Kohai Grace, Wiremu Grace, Rachel House, and Hemi Rurawhe—to deliver a moving portrayal of Maori culture, heritage, and storytelling. Through rich performances and cultural authenticity, the play captures the heart and spirit of indigenous identity on stage.
A compelling Native Earth production written by Drew Hayden Taylor and directed by Elizabeth Theobald, Only Drunks and Children Tell the Truth explores the complexities of identity, truth, and reconciliation. Featuring a talented cast including Columpa C. Bobb, Kennetch Charlette, Darrell Dennis, and Carol Greyeyes, the play delivers a heartfelt and unflinching portrayal of Indigenous experiences. Recognized for its impact, it was nominated for the 1996 Dora Mavor Moore Award for Outstanding Production, as well as for standout performances by Carol Greyeyes and Kennetch Charlette.
A heartfelt Native Earth production written by Columpa C. Bobb and directed by Herbie Barnes, Dinky delves into themes of personal identity, family connections, and the complexities of Indigenous life in contemporary society. Through intimate storytelling and rich cultural resonance, the play captures moments of humor, vulnerability, and resilience, offering audiences a moving portrayal of relationships and self-discovery within a changing world.
A thought-provoking Native Earth production written by Joyce B. Joe and directed by Gary Farmer, Ravens weaves a powerful narrative that blends Indigenous storytelling with evocative performances. Starring Michael Filipowich, Sandra Laronde, Billy Merasty, and Christine O, the play captures themes of resilience, identity, and cultural survival. The production’s creative excellence was recognized with a nomination for the 1996 Dora Mavor Moore Award for Outstanding Sound Design, credited to Marsha Coffey, highlighting its rich auditory landscape that deepened the audience’s immersive experience.
