Saturday, November 21, 2026
Join us at 2:00 PM for the drop-in showings of NEPA’s Animikiig Creators Unit.
And then return at 7:30 PM for presentations of IXKAME: Baile de los ancestros (Jaguar Death: Dance of the ancestors) by B'atz' Recinos and The Poisoner's Daughter by Danielle LaRose.
The Animikiig Creators Unit (ACU) is a two-year development program for emerging Indigenous creators. The Animikiig Creators Unit offers Indigenous creators across Turtle Island and beyond who are early in craft and in the emerging stages of theatrical creation the opportunity to develop their craft through individualized development plans and resources under the guidance of professional mentors.
Drop-In Event
Animikiig Creators Unit Sharings
SHYANNE DUQUETTE (CREATOR)
Shyanne Duquette is a mixed-Cree emerging multidisciplinary theatre artist based in Amiskwacî (Edmonton). A writer, director, actor, and facilitator, they create provocative theatre that confronts identity, belonging, and the things that unsettle us. Their work has been presented at Found Festival, SkirtsAfire, Edmonton Fringe, Nextfest, and Ignite, and they have participated in national development programs, including the ThisGen Fellowship with Whynot Theatre, Fresh AiR and Riser with Common Ground Arts, the Major Matt Mason Wildfire Developmental Unit, and the Tarragon Young Playwrights Unit.
Shyanne has collaborated with theatre companies across Turtle Island dedicated to pluralism, dismantling norms, and ethical relationships (not only interpersonally but with surrounding communities and the land itself). They also facilitate workshops and occasionally teach, cultivating dialogue and reflection through theatre, as they continue to develop bold, boundary-pushing work across Turtle Island, leaving audiences moved and slightly on edge.
IOTA’KERATENION THOMAS-BEATON (CREATOR)
A Kanien’kehá:ka and Ojibwe artist from Kahnawà:ke Mohawk Territory, Quebec, and Keeseekoowenin Ojibwe First Nation in Treaty 2 Territory, Manitoba, Iota’keratenion has held a strong belief in storytelling and the visibility of Indigenous art since graduating from Cegep in 2018. These beliefs have led to opportunities to work alongside artists from across Turtle Island, representing a wide range of artistic backgrounds. Each endeavor strengthening his resolve for more art by Onkwehon:we creators to be put on display. With a commitment to decolonizing not only theatre but also society’s attachment to colonial practice, Iota’keratenion hopes the stories he helps create will inspire others to reflect on their own experiences and use their voices to spark discussions around the deconstruction of imperial hegemony.
CAMERON FRASER-MONROE (Creator)
Cameron Fraser-Monroe is a choreographer and director, and a member of the Tla'amin First Nation. At three years old he started Ukrainian dancing in Vernon, BC, and he was privileged to receive several years of training and performance with World Champion Hoop Dancer Dallas Arcand and studied Grass Dance with Elder Mollie Bono.
Since graduating from the Royal Winnipeg Ballet School, he has performed with many companies across Turtle Island including Dancers of Damelahamid at Kia Mau Festival in Aotearoa and the International Cervantino Festival, at Jacob’s Pillow Festival, with the Royal Winnipeg Ballet and Friday Creeations at the National Arts Centre, and with the Atlantic Ballet Theatre of Canada.
As a choreographer Cameron has received commissions from the National Ballet of Canada, Fall for Dance Festival NYC, Royal Winnipeg Ballet, Ballet Kelowna, Winnipeg Summer Dance Collective, Whim W’Him Seattle, Museum of Contemporary Art (MOCA) Toronto, Royal Winnipeg Ballet Aspirants, Artist's Climate Collective, Transformation Cabaret at the Cultch, and both PULSE and Indigenous Day Live! on APTN, among others. He continues to practice and present Hoop Dance.
He has taught across Turtle Island, most recently as a Guest Lecturer at Bard College Centre for Indigenous Studies in New York. He has also taught grass dance to the New Pathways Indigenous students at the National Theatre School, and run dance workshops at James Thomson Elementary in qathet.
He trained at Toronto Actors Studio and in the Linklater Method at the National Theatre School of Canada and voiced the lead in Level Up with Kevin Loring. He has a principal role in the limited series Bones of Crows on CBC and APTN, and in the feature film of the same title which premiered at Toronto International Film Festival.
For the past six years Cameron has served as Artistic Director of the Winnipeg Summer Dance Collective, making dance more accessible in downtown Winnipeg. During the 2025/26 Season Cameron is the Associate Artist at Ballet Kelowna, and the Artist-in-Residence at L’École Nationale de Théâtre/National Theatre School of Canada.
Website: cameronfm.ca
IRMA VILLAFUERTE (2026 PROGRAM DIRECTOR)
Irma Villafuerte is a Tkaronto-based dance artist, choreographer, and educator, and the first-generation daughter of refugees from Nawat Territory, Kuskatan (El Salvador). A Dora-nominated artist, her work explores migration, historic memory, and Salvadorian identity, drawing from matrilineal histories and the emotional geographies of displacement.
She is the Program Director of Native Earth Performing Arts’ Animikiig Creators Unit, where she supports the development of emerging Indigenous artists through mentorship, creation, and professional practice. Villafuerte is also the co-founder of the Dora-nominated CinnaMoon Collective.
A finalist for the Toronto Arts Foundation Emerging Artist Award (2021), she has performed across the Americas, including at Fall for Dance North, Bienal de La Habana, and CounterPulse (San Francisco), and has collaborated with artists such as Kaha Dance Theatre, Victoria Mata, Sharon B. Moore, Karen Kaeja, and Alejandro Ronceria.
Her choreographic voice has been shaped through residencies with DanceMakers, Toronto Dance Theatre, and Aluna Theatre. Her recent works, including Xilopango and the dance film Siwat Piedra, trace emotional and ancestral landscapes shaped by displacement, resistance, and the persistence of memory.
A wide prairie horizon. A storm rumbling in the distance. A cold wind blowing through dry grasses, carrying with it the howls of wolves, the sighs of a fiddle, and the voices of Ancestors long since passed.
In an abandoned one-room cabin, a simple wooden coffin lies on top of a kitchen table. The prairie skies darken and suddenly, in a flash of lightning and burst of thunder, the coffin lid rises and the corpse of a Métis woman emerges. A Descendant has woken up in the body of her deceased Grandmother. How did she get here? Why has she been transported into the body of her Ancestor? What is she meant to do or find in this desolate purgatory?
A second flash reveals another figure silhouetted in the shadows- a lightning rod salesman named Murray. He seems to recognize the Descendant and this body she is inhabiting. When he offers his services as a guide in this strange place, the Descendant doesn’t see any other choice but to trust him. Murray reaches for one of the many jars gathering dust on the cabin shelves. It glows and pulses as if in anticipation. These are her gifts, he claims. An inheritance of memories to help guide the Descendant on her hunt for her Grandmother’s story.
As she is plunged into a series of disordered moments from her family’s past, the Descendant must dive into the depths of her blood memory if she’s to uncover the truth about her Ancestors, her relatives, and herself.
Creator: Danielle LaRose (Métis)
Content Warning: Gothic/horror themes, Disorientation, Blood, Discussion of Death, Discussion of Violence against women
This project has been supported by
The Punctuate! Theatre & Pemmican Collective Creators' Cohort, Catalyst Theatre Confluence Fellowship, and Full Circle Performing Arts
Presentation
The Poisoner's Daughter
by Danielle LaRose
Danielle LaRose, Creator
Danielle LaRose is a theatre-maker and storyteller of Métis and Mennonite heritage living in ᐊᒥᐢᑿᒌᐚᐢᑲᐦᐃᑲᐣ amiskwâcîwaskahikan (colonially known as Edmonton). She is a citizen of the Otipemisiwak Métis Nation of Alberta and a guest on Treaty Six Territory/Métis Region 4 where she works as a playwright, performer, director, dramaturg, composer, and teacher.